Blood red sky vampire11/24/2023 And the rich potential of a mother’s love made for her son being made fraught by her vampirism remains untapped. The poorly sculpted action narrative and staid choreography suck dry the potential thrills of a vampire battling Hans Gruber types. ![]() The intriguing ideas Blood Red Sky brings to play go to waste. Purcell is present and reasonably menacing, but only briefly. The unhinged cruelty Scheer has to work with as Eightball is stale, and it does not help that his cover identity is that of a painfully caricatured sassy gay flight attendant. ![]() Koch is stuck playing irritatingly precocious, a wise-beyond-his-years child who feels out of sync with the rest of the script. Setti plays warm-hearted well, but poor Farid exists to be a Muslim man for the primarily white mercenaries to threaten and to have other horrible things happen to him. Nadja has a decent character arc that gives Baumeister something to (sorry) sink her teeth into, but she’s alone in that regard. It interrupts a tense action scene for a languid flashback whose connection to present events doesn’t justify puncturing what momentum Blood Red Sky had managed to scrounge up. It opens with an in-media-res prologue whose primary purpose seems to be getting the most out of Graham McTavish’s brief appearance as a splendidly-bearded military type. It hops around in time with little care or thought. Its editing both discombobulates the action choreography-which has a poor sense of geography and primarily equates vampirism with constant herky-jerkiness-and obscures the genuinely well-done creature effects.Īnd its script? Blood Red Sky‘s script is an utter boondoggle. Its cinematography is flat, sallow, and in places downright ugly. Otherwise, it’s dreadful.īlood Red Sky‘s pacing is simultaneously draggy and rushed, wringing out all potential tension from the tale it’s telling. It also boasts some fun make-up work from Mark Coulier (Luca Guadagnino’s Suspiria and Sunshine, amongst others) and a solidly performed lead turn from Baumeister. Netflixīlood Red Sky has two neat ideas: a vampire mom pulls a McClane on a plane and the challenges of being a young, single parent who’s battling vampirism. To save her son, Nadja may have to sacrifice her soul. The overwhelming drive to feast on blood eats away at Nadja and only grows stronger the more she wields her vampiric might. She’s fast, she’s powerful, and she has a cause greater than money or sadism. She is a full-blown, no-nonsense vampire in the Orlok mold. ![]() Even embrace the “illness” she has lived in fear of ever since a fateful, snowy night. Despite her terror, Nadja will do anything to protect Elias. They want money, and they’re happy to burn as many lives as it takes to get it-especially the gleeful, twisted Eightball (Alexander Scheer, Carlos). Not long into the flight, a band of ruthless skyjackers, led by the coldly pragmatic Berg ( Dominic Purcell, Legends of Tomorrow), makes their play. ![]() And Nadja and Elias will not be meeting the medical team. While at the gate, Elias befriends Farid (Kais Setti, Dogs of Berlin)-a kind young man bound for a conference.Īlas, Farid will miss his conference. They’re hoping to make a new start in America, where a talented team of doctors wait to help Nadja find a cure for her sickness. With her is Elias (Carl Anton Koch), her sweet, precocious son. Nadja (Peri Baumeister, The Last Kingdom), a cautious, brittle woman battling a terrifying illness, boards an overnight flight from Germany to the United States.
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